Thanks for the info. I wish my cal would have gone as smooth as yours.
Looks like my customer’s unit was worse possibly due to sample to sample variation, which wouldn’t be a big deal if it was correctable. My biggest problem with the THX interface was that the primaries were undersaturated, with red looking noticeably orange. Blue was unusually undersaturated also, and I realize the i1Pro isn’t perfect with blue; but I’ve done enough FP’s to know that this was unusual. I felt the red primary in particular was robbing flesh tones of vibrancy and ruddiness, judging by the DVE restaurant scene. Interestingly red’s measured dE was still under 3, but I clearly saw it looking too orange.
In the THX software, there was a selection to choose a different color preset to start with, but it was grayed out. That would have allowed me to choose a wider color gamut to work with.
The ISF interface allowed me to select a more saturated starting point, but as I mentioned the CMS was very buggy and erratic and the gamma adjustment didn’t work.
I think now I should have tried to do more just in the user 1 preset instead of the ISF or THX modes.
BTW, the screen was a Studiotec 130, if I remember right. It had the Joe Kane logo on it, but it wasn’t the Affinity.
