I’d like to know this as well. I just got off the phone with a client about this!! I wonder what the ISFccc interface will be like. What’s the best way to do this one?
Oh, and my client was mentioning that a member on AVS mentioned that the Infinite Black on all Panasonics was only applicable to VIVID mode? I haven’t played with a new Panasonic yet although I’m calibrating one next week…is Infinite Black a feature that destroys image quality and kills shadow detail, or is it a darker panel that actully delivers deeper blacks?