Post Production Studio calibrations
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I have no previous experience performing calibrations for post production facilities. I received the following email and I was wanting to know what would be uniquely different about calibrating monitors in a facility like this as opposed to what we would do in calibrating consumer displays. Of course one would do all of the research on these different monitors prior to doing the job but at this point I am simply wanting to learn the basic difference between the two. Below is a list of the displays that the client is interested in having calibrated:
24″ Cine-Tal Monitor in VFX suite
24″ Cine-tal monitor in color grading suite (Lustre)
Several Flanders Scientific monitors in edit suites
Most of our work is rec709 and occasional DCI.
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